Panasonic DMC-G3 In-depth Review


Review based on a production DMC-G3, Firmware version 1.0
The G3 heralds the start of Panasonic's third generation of mirrorless cameras. In some respects it's a refinement of previous models; its electronic viewfinder and hinged rear display screen are identical to the G1 and G2, for example. However, behind the aluminium front panel of its slimmed-down, externally-simplified body lies a completely new 16.7MP sensor. This makes it the first mass-market Micro Four Thirds model to move beyond Panasonic's 12MP chip.
While some of the new features of the G3 suggest a move upmarket, many other changes point to an attempt on Panasonic's part to make the G-series more accessible. A number of features have been removed, presumably in order to make this model both less intimidating and less expensive (the recommended price is $100 lower than the launch price of the G2).
Mirrorless interchangeable lens cameras are still relatively new. As such, manufacturers are still trying to determine their target audience as well as the balance of features, capabilities and pricing that will have the widest appeal. Panasonic's Lumix DMC-G1, released back in 2008, was essentially a miniaturized version of the company's L10 DSLR, sharing similar features and appearance. More recently, however, mirrorless camera designs are looking to capitalize on the differences the technology can offer, such as compact size and seamless video integration, rather than trying to mimic conventional DSLRs.
The compact-camera-like hand grip is the first, most obvious evidence that the G3 fits into this philosophy. Gone is the prominent lump that has become standard for DSLRs, and instead we have a grip that more closely resembles that of the GF2 - a low profile rounded extension that encourages a very different hand position on the camera. In fact, the G3 is as close in size and appearance to a Panasonic Lumix DMC-GF2 (with a viewfinder) as it is to the Panasonic Lumix DMC-G2.
From the GF2, the G3 gains a touchscreen interface that is a vast improvement over that seen in the G2. It allows lots of control over camera settings as well as direct on-screen selection of the focus point - something that no DSLR can offer. Further distancing itself from previous G-series models, the G3 allows you to place the AF point anywhere throughout the entire frame, as opposed to just within a central portion.
The G3 also gains improved video capability, matching the GF2's ability to output either 1080i60 or 720p60 (both from 30fps sensor output). And, while this isn't up to the same specification as the video capability of the Panasonic Lumix DMC-GH2, the G3 does gain that camera's image processor and impressive autofocus speed.
Beyond this, the bulk of the G3's new features are incremental improvements - there's a picture-in-picture manual focus magnification option so that you can focus while still viewing the overall composition, and a Pinpoint AF mode that combines a small AF area with a zoomed preview for precise focusing. The G3 also features subject-tracking AF while shooting video.
Regrettably however, much has been removed from the new model, too. Unlike the G2, the G3 doesn't have an eye sensor for its viewfinder, so you'll have to manually switch between it and the rear display screen. It also loses the G2's focus point dial and focus mode lever, along with the option for connecting an external microphone (thus ensuring that it doesn't tread on the GH2's toes).
Taken as a whole, these changes lead us to suspect that the G3 might replace both the G2 and the lower-spec'd G10 in Panasonic's lineup. It's worth noting that its suggested price also sits exactly mid-way between those two models.

Panasonic G3 specification highlights:

  • 16.7MP CMOS sensor (standard Micro Four Thirds size)
  • ISO 160-6400
  • 4 fps continuous shooting (20fps at 4MP)
  • GF2-style touch screen interface
  • 1080i60 AVCHD shooting (from 30p sensor output)
  • All-area AF point selection
  • Pinpoint AF mode (magnifies focus point to allow confirmation and fine-tune of AF position)
  • Tracking AF in video mode
  • Picture-in-picture manual focus magnification
  • 460k dot articulated LCD
  • 1.44M dot-equivalent electronic viewfinder (phase sequential type)

Size compared to a typical DSLR

Placed next to the Rebel T3i / 600D - fairly typical in size for an entry-level DLSR - the size difference of the G3 becomes immediately apparent.
A top-down view further emphasizes the distinction; the G3 is considerably smaller in every dimension. Even at this size, however, the G3 is not going to fit in a pocket.
READ MORE - Panasonic DMC-G3 In-depth Review

Casio reveals Exilim EX-ZS15 touch-screen compact

Casio Europe has released the Exilim EX-ZS15, a touch-screen compact with a 5x wide-angle zoom. The 14MP CCD-based camera features a 26-130mm equivalent lens and 3" touch-sensitive display. The touch-screen display not only includes a touch-shutter mode but also replaces virtually all the camera's buttons, leaving just a shutter, video record, Best Shot Selector and power buttons. Beyond this the camera can shoot 720p30 video.
Press release:

Casio Releases Compact and Stylish New EXILIM Touch-Screen Digital Camera with 26mm Wide-angle Lens and 5x Optical Zoom

With New "Touch Shutter", A Single Touch on the Screen Sets Auto Focus
on That Spot and Takes a Photo
TOKYO, July 18, 2011 – Casio Europe GmbH and its parent company, Casio Computer Co., Ltd., today announced the release of the new EXILIM® EX-ZS15 camera, the latest addition to the EXILIM family of digital cameras. This compact and stylish new EXILIM is more user-friendly than ever. The generous 3.0-inch touch-screen LCD with Casio’s new “Touch Shutter” function makes it a breeze even for beginners to take and view great photos. The EX-ZS15 also boasts an effective pixel resolution of 14.1-megapixels.
The new camera features a compact and stylish body and a 26mm wide-angle lens with a 5x optical zoom. Even beginning photographers will find the user interface effortless, thanks to smoothly scrolling menus and large touch buttons that are conveniently positioned. The user just touches the screen to select a shooting mode. The Touch Shutter function allows the user to focus on an area or subject on the screen and capture the photo just by touching the screen. Saved images can also be viewed by simply flipping through pages of images displayed intuitively on the screen.
The EX-ZS15 is packed with features including Best Shot Mode, which optimizes photo settings by just selecting for the type of scene the user wants to photograph. Other outstanding features include face detection, HD movie recording (1280 x 720) to shoot stunning clips, and USB charging. The EX-ZS15 is available in three colors: silver, red and black.
READ MORE - Casio reveals Exilim EX-ZS15 touch-screen compact

Nikon AF-S Nikkor 50mm f/1.8 samples gallery

Nikon AF-S Nikkor 50mm f/1.8 samples gallery

Just Posted: Our AF-S Nikkor 50mm f/1.8 G sample gallery. We've had access to Nikon's latest inexpensive 50mm prime lens for a couple of weeks and have put together a 41-image sample gallery to show some of what it can do. The AF-S G version means there's finally an inexpensive Nikon 50mm lens that will autofocus on the company's entry-level bodies, such as the D40, D60, D3100 and D5100. Here we've shot it using both the DX D7000 and the FX D3S to show how it performs on both formats.
There are 41 images in the samples gallery (21 shot on APS-C and 20 on full-frame). Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don't abuse it.
Unless otherwise noted images processed using Adobe Camera Raw using 'Camera Standard' color rendering. Because our review images are now hosted on the 'galleries' section of dpreview.com, you can enjoy all of the new galleries functionality when browsing these samples

Additional images

Nikon AF-S Nikkor 50mm f/1.8 G samples gallery
READ MORE - Nikon AF-S Nikkor 50mm f/1.8 samples gallery

Pentax makes 645D Camera Grand Prix limited edition

Pentax has announced a special edition of its 645D 40MP medium format camera to celebrate being named 'Camera of the Year' at the Camera Grand Prix Japan 2011. The built-to-order special comes with a red lacquer finish and special camera strap, arranged in a paulownia-wood box. The company has not announced how many it will produce. Pentax previously made a special edition of its K10D DSLR when it received the equivalent award in 2007.
Press Release:

PENTAX ANNOUNCES LIMITED EDITION 645D:

Model Honors 645D Camera Grand Prix Japan 2011 "Camera of the Year" Award
GOLDEN, CO. (July 14, 2011)…PENTAX Imaging Company has announced it will offer a limited edition 645D camera kit produced to celebrate the PENTAX 645D being named Camera Grand Prix Japan 2011 "Camera of the Year." This limited edition camera features an elegant, lacquer-finished body. The components of this unique kit that will be available on a very limited basis include:

• PENTAX 645D Japan camera body
• Leather Strap 645D japan O-ST123
• Body Mount Cap 645D Japan
• Center-Spot-Matte Focusing Screen DS-80
• Specially designed paulownia-wood packaging
PENTAX is planning built-to-order production of this model with a minimum four month delivery period from the date each order is placed.
First announced in June 2010, the PENTAX 645D is a high-performance medium-format digital SLR camera combining super-high-resolution digital images with approximately 40 effective megapixels that offers exceptional reliability and superb operability. The camera was selected Camera GP Japan 2011 "Camera of the Year" for its array of original, outstanding features including a large CCD sensor, and a dependable, dust-proof, weather-resistant body that operates in temperatures as low as –10°C.
Information about the camera, features, awards and product images is available at these links:
www.pentaximaging.com/news and PENTAX 645D
The new model kit will be available for pre-order on www.pentaxwebstore.com
--
From Pentax UK:

Major Features of the PENTAX 645D Japan

1. Using the innovative lacquer techniques developed by Sakamoto Urushi Manufacturing Co., Ltd. of Aizu-Wakamatsu, Fukushima Prefecture, Japan, PENTAX has made use of the traditional art of urushi (lacquer) for the exterior of the 645D Japan camera body. This exclusive lacquer finish not only gives the camera an elegant, exquisite appearance, but also enhances the camera’s durability. In order to create a sense of exclusiveness and a rich depth to the coating, the process requires a number of painstaking steps, such as pasting many different types of silver leaves on a black-lacquer base — as if creating a collage of torn paper — and applying an overcoat of paint in a rich Bordeaux-wine tone. This sophisticated, meticulously handcrafted lacquer technique using natural urushi and silver leaves means that each camera body will be slightly different, ensuring the camera will be a one-of-a-kind, unique possession for the photographer.

2. The PENTAX logo on the camera front panel and the mode-dial settings on its upper panel are gold-plated. The rubber portion of the grip has a semi-glossy black finish.

3. Made of a synthetic leather material, the exclusive strap carries a “Camera GP 2011 Camera of The Year” insignia and a PENTAX 645D logo, both in gold.
4. Each camera body is marked with its individual serial number, proof of its limited-edition status.

5. The camera mount cap has been exclusively designed for the kit, and features a glossy black coating.

6. The LCD panel on the camera’s upper panel comes with white backlight illumination, instead of the green-tinted illumination of the standard model.
7. The exclusive Centre-Spot-Matte Focusing Screen DS-80 is mounted on the camera.

8. The specially designed packaging is made of high-grade paulownia wood, with a “Camera GP Japan 2011 Camera of The Year” logo mark laser-engraved on its top cover.

9. The firmware installed in the camera body has been updated to the latest version (Ver.1.11), and is compatible with the optional O-GPS1 GPS unit.

Note: The camera body’s features and specifications are identical with those of the standard model, except for the firmware.
READ MORE - Pentax makes 645D Camera Grand Prix limited edition

Nikon launches AF-S DX Micro Nikkor 40mm F2.8 macro lens

Nikon has announced an inexpensive macro lens aimed at entry-level DSLR users. The AF-S DX Micro Nikkor 40mm f/2.8G offers true 1:1 macro in a compact, lightweight package. With its inbuilt silent wave motor it will autofocus on all Nikon DSLRs, including those that lack in-body AF motors such as the D3100 and D5100. It uses an internal focus system with close-range correction to attain a minimum focus distance of just 16cm / 6.4", equating to approximately 5cm / 2" from the front of the lens. It will be available from 25th August, at an MSRP $279.95.
Jump to:
Press Release:

GET CLOSER TO CLARITY: THE NEW NIKON AF-S DX MICRO NIKKOR 40mm f/2.8G BRINGS FAST MACRO ABILITY TO DX-FORMAT SHOOTERS

Images Packed with Stunning Detail and Amazing Sharpness Have Never Been So Near
MELVILLE, N.Y. (July 12, 2011) – Nikon Inc. today introduced the new lightweight and versatile AF-S DX Micro NIKKOR 40mm f/2.8G lens to provide Nikon DX-format shooters macro capabilities at an affordable price point. Ideal for intimate details or general portraiture, the new AF-S DX Micro NIKKOR 40mm f/2.8G lens has a minimum focusing distance of just 0.53 feet (6.4 inches) to allow users to capture extreme close-up photographs and High Definition (HD) video with a life-size 1:1 reproduction ratio.
“This new NIKKOR lens is an ideal accessory lens for those who are ready to explore a totally new perspective, whether it’s extreme close-up detail or general still images and movies with flattering out of focus elements,” said Lisa Osorio, general manager of marketing at Nikon Inc. The new Micro NIKKOR lens delivers new and added versatility to the Nikon DX-format digital SLR system and provides DX-format shooters with compact optics that deliver excellent color reproduction and stunning sharpness.”
Weighing in at approximately nine ounces, the extremely compact and lightweight lens is an ideal “next” lens to complement any DX-format shooter’s growing D-SLR kit. The natural focal length (60mm, FX equivalent) and large f/2.8 aperture are ideal for a wide variety of applications, whether capturing close-up details in flowers and insects or shooting flattering portraiture with a pleasing bokeh.
For fast and whisper quiet autofocus operation, the new Nikon 40mm Micro lens also features Nikon’s exclusive Silent Wave Motor technology, which allows photographers to get even closer without disturbing a subject. For complete control, the AF-S DX Micro NIKKOR 40mm offers users both manual-priority autofocus (M/A) and manual focus (M) modes to quickly and easily switch focus modes on the fly. To help ensure amazing lens performance at close distances, this new lens employs Nikon’s Close-Range Correction System. With this system, the lens elements are configured in a "floating” design wherein each lens group moves independently to help achieve critical focus. Additionally, Nikon’s Super Integrated Coatings are applied to help reduce instances of lens flare and ghosting. The seven blade diaphragm also helps to create a more natural out of focus component.
The versatile and compact nature of the AF-S DX Micro NIKKOR 40mm f/2.8G lens combined with its affordability make it a great travel companion for any DX-format D-SLR, including the new Nikon D5100 and popular D3100.

Price and Availability

The versatile AF-S DX Micro NIKKOR 40mm f/2.8G will be available in August for an estimated selling price* of $279.95. For more information, please visit www.nikonusa.com.
*Estimated selling price listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time




















READ MORE - Nikon launches AF-S DX Micro Nikkor 40mm F2.8 macro lens

Panasonic DMC-G3 In-depth Review



Review based on a production DMC-G3, Firmware version 1.0
The G3 heralds the start of Panasonic's third generation of mirrorless cameras. In some respects it's a refinement of previous models; its electronic viewfinder and hinged rear display screen are identical to the G1 and G2, for example. However, behind the aluminium front panel of its slimmed-down, externally-simplified body lies a completely new 16.7MP sensor. This makes it the first mass-market Micro Four Thirds model to move beyond Panasonic's 12MP chip.
While some of the new features of the G3 suggest a move upmarket, many other changes point to an attempt on Panasonic's part to make the G-series more accessible. A number of features have been removed, presumably in order to make this model both less intimidating and less expensive (the recommended price is $100 lower than the launch price of the G2).
Mirrorless interchangeable lens cameras are still relatively new. As such, manufacturers are still trying to determine their target audience as well as the balance of features, capabilities and pricing that will have the widest appeal. Panasonic's Lumix DMC-G1, released back in 2008, was essentially a miniaturized version of the company's L10 DSLR, sharing similar features and appearance. More recently, however, mirrorless camera designs are looking to capitalize on the differences the technology can offer, such as compact size and seamless video integration, rather than trying to mimic conventional DSLRs.
The compact-camera-like hand grip is the first, most obvious evidence that the G3 fits into this philosophy. Gone is the prominent lump that has become standard for DSLRs, and instead we have a grip that more closely resembles that of the GF2 - a low profile rounded extension that encourages a very different hand position on the camera. In fact, the G3 is as close in size and appearance to a Panasonic Lumix DMC-GF2 (with a viewfinder) as it is to the Panasonic Lumix DMC-G2.
From the GF2, the G3 gains a touchscreen interface that is a vast improvement over that seen in the G2. It allows lots of control over camera settings as well as direct on-screen selection of the focus point - something that no DSLR can offer. Further distancing itself from previous G-series models, the G3 allows you to place the AF point anywhere throughout the entire frame, as opposed to just within a central portion.
The G3 also gains improved video capability, matching the GF2's ability to output either 1080i60 or 720p60 (both from 30fps sensor output). And, while this isn't up to the same specification as the video capability of the Panasonic Lumix DMC-GH2, the G3 does gain that camera's image processor and impressive autofocus speed.
Beyond this, the bulk of the G3's new features are incremental improvements - there's a picture-in-picture manual focus magnification option so that you can focus while still viewing the overall composition, and a Pinpoint AF mode that combines a small AF area with a zoomed preview for precise focusing. The G3 also features subject-tracking AF while shooting video.
Regrettably however, much has been removed from the new model, too. Unlike the G2, the G3 doesn't have an eye sensor for its viewfinder, so you'll have to manually switch between it and the rear display screen. It also loses the G2's focus point dial and focus mode lever, along with the option for connecting an external microphone (thus ensuring that it doesn't tread on the GH2's toes).
Taken as a whole, these changes lead us to suspect that the G3 might replace both the G2 and the lower-spec'd G10 in Panasonic's lineup. It's worth noting that its suggested price also sits exactly mid-way between those two models.

Panasonic G3 specification highlights:

  • 16.7MP CMOS sensor (standard Micro Four Thirds size)
  • ISO 160-6400
  • 4 fps continuous shooting (20fps at 4MP)
  • GF2-style touch screen interface
  • 1080i60 AVCHD shooting (from 30p sensor output)
  • All-area AF point selection
  • Pinpoint AF mode (magnifies focus point to allow confirmation and fine-tune of AF position)
  • Tracking AF in video mode
  • Picture-in-picture manual focus magnification
  • 460k dot articulated LCD
  • 1.44M dot-equivalent electronic viewfinder (phase sequential type)

Size compared to a typical DSLR

Placed next to the Rebel T3i / 600D - fairly typical in size for an entry-level DLSR - the size difference of the G3 becomes immediately apparent.
A top-down view further emphasizes the distinction; the G3 is considerably smaller in every dimension. Even at this size, however, the G3 is not going to fit in a pocket.
READ MORE - Panasonic DMC-G3 In-depth Review

Olympus unveils 12mm F2.0 and 45mm F1.8 fast primes for Micro Four Thirds

Alongside its three PEN bodies, Olympus has announced the M. Zuiko Digital ED 12mm F2.0 and M. Zuiko Digital ED 45mm F1.8 prime lenses for Micro Four Thirds. The 12mm F2.0 is a metal-bodied 24mm equivalent featuring a unique snap-focus manual focus mode. A snap-back focus ring reveals a traditional depth-of-field scale for 'zone' focusing and offers improved focus 'feel.' Later in the year it will be accompanied by the 45mm F1.8 portrait lens, making Olympus one of the only manufacturers to offer a fast prime at a roughly 100mm equivalent focal length, ideally suited to portraiture. There is also a relatively compact, bouncable and remotely commandable flash, the FL-300R, helping the PEN range look more like a complete system. More details of the 12mm F2.0 are included in our E-P3 preview, along with a gallery of sample images.
Jump to:
Press Release:

NEW OLYMPUS® MICRO FOUR THIRDS® LENSES AND ACCESORIES UNLEASH CREATIVE POWER OF THE PEN FAMILY

High-Speed, Silent and Beautifully Designed, Two New Lenses Complement Latest Generation of PEN Cameras; New Flash and Grip Expand Creative Horizons
CENTER VALLEY, Pa., June 30, 2011 – Two powerful, fast new prime lenses and two new accessories maximize the performance of the Olympus PEN® E-P3, E-PL3 and E-PM1 compact system cameras, also announced today, to help photographers capture their unique visions of the world. The M. Zuiko Digital ED 12mm f2.0 lens (24mm equivalent) and M. Zuiko Digital ED 45mm f1.8 lens (90mm equivalent) are Movie & Still Compatible (MSC) and feature high-speed, near-silent autofocus during still shooting and high-definition (HD) video capture. Joining them is the sleek, versatile FL-300R Compact Flash and the MCG-2 interchangeable Camera Grip available exclusively for the PEN E-P3.
The powerfully simple and growing Olympus PEN MICRO Four Thirds family now features eight fully-compatible MICRO Four Thirds lenses. The legendary Olympus Zuiko® Digital Four Thirds range of 27 high-quality lenses, OM-series and other manufacturers’ lenses can be attached to Olympus PEN cameras with optional adapters.
New High-Speed and Near-Silent MICRO Four Thirds Lenses
  • M. Zuiko Digital ED 12mm f2.0 lens: This high-speed, single-focal-length, wide-angle lens is ideal for shooting high-quality, dramatic landscapes and street scenes in low-light conditions. It has a beautiful full-metal body and a snap ring that enables photographers to pan focus with a distance indicator.
  • M. Zuiko Digital ED 45mm f1.8 lens: This single-focal-length portrait lens has a beautiful shallow depth of field which allows for background blurring effects that are not possible with the 14-42mm kit zoom lens. The MSC mechanism is great for tracking a moving child or pet, and provides a quick and silent focus mechanism for movies and still photography.
These two lenses join the new movie & still compatible (MSC) ED m14-42mm II R f3.5/5.6 zoom lens (28mm-84mm equivalent) which comes standard with the new PEN kit as well as the M. Zuiko Digital ED 40-150mm II R f4.0-5.6 lens, an extremely light, wide-zoom range with a 35mm equivalent to 80-300mm lens that offers versatility and portability. Both have been designed to match the body design of the new generation of PEN cameras.
New Accessories for a Variety of Shooting Challenges
  • FL-300R Compact Flash: It functions as a bounce flash and wireless remote flash with enough power for snapshots. Photographers can use it in tandem with the camera’s built–in, pop-up flash, or as an alternative to it. It is designed in silver to match the new PEN lineup. Additionally, it has the ability to function wirelessly through a remote control function on the new E-P3, E-PL3 and E-PM1.
  • MCG-2 Exchangeable Camera Grip: Available exclusively for the PEN E-P3, this accessory easily and comfortably extends the camera’s grip area to fit any photographer’s hands perfectly. It is available in black and beige.
U.S. Pricing and Availability
M. Zuiko Digital ED 12mm f2.0 lens: Available Now
Estimated Street Price: $799.99
MCG-2 Exchangeable Camera Grip: Available Now
Estimated Street Price: $19.99
FL-300R Compact Flash: Available Now
Estimated Street Price: $169.99
M. Zuiko Digital ED 45mm f1.8 lens: Available in September 2011
Estimated Street Price: $399.99
READ MORE - Olympus unveils 12mm F2.0 and 45mm F1.8 fast primes for Micro Four Thirds

Sigma 105mm F2.8 EX DG Macro now available

Tuesday, 28 June 2011  15:42 GMT < Previous  Next >
Sigma has announced pricing and availability for its 105mm F2.8 EX DG OS HSM Macro lens. The optically stabilized version of the lens, originally announced back in February, is available now with a recommended selling price of $1,400. The 105mm F2.8 EX DG OS HSM offers true 1:1 macro reproduction, and uses a floating focus system to maintain high optical performance at all distances.
Press Release:

Sigma Corporation of America’s 105mm F2.8 EX DG OS HSM Macro now available


Upgraded, large-aperture, medium-telephoto macro lens enables high-performance, close-up, handheld photography
Ronkonkoma, NY, June 28, 2011Sigma Corporation of America, a leading researcher, developer, manufacturer and service provider of some of the world's most impressive lines of lenses, cameras and flashes, is pleased to announce that its newly upgraded 105mm F2.8 EX DG OS HSM Macro lens is now available for the MSRP of $1,400.
The updated 105mm F2.8 EX DG OS HSM Macro lens now features Sigma’s own proprietary Optical Stabilizer (OS) technology, which allows for high-performance, handheld, close-up photography. The telephoto reach makes it a perfect lens for capturing images of insects and small creatures. Additionally, the wide maximum aperture combined with a short telephoto focal length make it very favorable for facial portraiture at lower magnification. A Special Low Dispersion (SLD) lens and one high refractive index SLD lens provide excellent corrections for all types of aberration and distortion.
“This lens is a fantastic addition to our extensive lineup of macro lenses,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “This is our fourth prime macro lens and the second of which that now includes our Optical Stabilization technology, which steadies the image for handheld use. This is yet another example of Sigma’s dedication to providing an array of unique lens that capture incredible imagery.”
Sigma’s Hyper Sonic Motor (HSM) feature ensures quiet and high-speed autofocus as well as full-time manual focus capability. This lens also has a rounded nine-blade diaphragm that creates an attractive blur to the out-of-focus areas of the image. 
The 105mm F2.8 EX DG OS HSM Macro features a floating focusing system that moves two different lens groups in the optical path to different positions. This system compensates for astigmatic aberration and spherical aberration, and provides extremely high optical performance from infinity to 1:1 macro. The super multi-layer coating reduces flare and ghosting, providing high contrast images. It is also possible to use this lens with Sigma’s APO teleconverters.
This announcement comes as part of an ongoing celebration of the company’s 50th anniversary. Find out about special anniversary activities and features, including product videos, photo sharing, photography tips and monthly chances to win Sigma products by visiting the anniversary web page.
For information about Sigma Corporation of America, visit www.sigmaphoto.com. For more information about sigma’s lenses, visit http://www.sigmaphoto.com/shop/lenses.
READ MORE - Sigma 105mm F2.8 EX DG Macro now available

Kenko-Tokina launches Tokina SD 17-35mm F4 AT-X PRO FX

Kenko-Tokina launches Tokina SD 17-35mm F4 AT-X PRO FX

Newly merged Kenko-Tokina has quietly launched the Tokina SD 17-35mm F4 AT-X PRO FX, a semi-fast wideangle zoom for full frame cameras. The company says the F4 maximum aperture makes it easier to produce a smaller lens with fewer aberrations, to sit alongside its 16-28mm F2.8 PRO. The lens features 'SD' glass that the company says offers similar properties to fluorite elements as well as its 'silent drive module' AF motor and high-precision AF position sensor for fast, accurate focusing. No details of pricing
READ MORE - Kenko-Tokina launches Tokina SD 17-35mm F4 AT-X PRO FX

Pentax Q small-sensor mirrorless camera announced and previewed

Pentax has announced the 'Q' mirrorless interchangeable lens camera. The camera is the first to use the company's Q mount and features a compact-camera-sized 1/2.3" image stabilized CMOS sensor. This is wrapped in a magnesium alloy body with a distinctly rangefinder-esque design but distinctly compact sizing. Its feature set ranges from the 1080p30 movie shooting (with H.264 compression), to a series of fun filters that can be applied to the Quick Dial on its front plate. We've had a chance to play with a pre-production Pentax Q and have prepared a quick preview.

PENTAX UNVEILS THE PENTAX Q:

The World’s Smallest, Lightest Interchangeable Lens Camera
GOLDEN, CO. (June 23, 2011)…PENTAX Imaging Company has announced the PENTAX Q – the world’s smallest and lightest interchangeable lens camera (ILC).* The Q offers the versatility and precision of an advanced DSLR in a body that is significantly smaller than every other digital ILC body available on the market today.
The camera’s tiny size, lightweight design, and superior image quality are made possible by an innovative PENTAX developed imaging system. With a high-resolution 12.4 megapixel, 1/2.3 inch CMOS image sensor, the Q carves out an entirely new camera category that extends beyond traditional digital compact, APS-C or 4/3 digital cameras. The backlit sensor is a highly efficient light-gathering instrument that produces very little noise at high sensitivity levels particularly in low light settings. Further, the new Q lens mount is a perfect match with the new sensor and every interchangeable Q lens is designed for more advanced image quality than may be found on traditional compact digital cameras. This innovative PENTAX design is the foundation of the Q’s position as the world’s smallest, lightest ILC system with superior image quality.

Several important features of the PENTAX Q include:

  • A newly designed PENTAX Q-mount lens system for convenient interchangeability with a variety of specialty Q lenses including prime, zoom, fisheye and more.
  • Exceptional image quality in 12.4 megapixels from the Q’s 1/2.3 inch backlit CMOS image sensor. Capable of producing 12 bit DNG RAW and JPG images, the backlit CMOS sensor is a highly efficient light-gathering instrument designed specifically to produce very low noise at high levels of sensitivity.
  • Extremely compact, durable, lightweight, scratch resistant magnesium alloy body.
  • The power and flexibility of traditional DSLR shooting modes such as Program, Aperture/Shutter Priority, and Metered Manual exposure control as well as highly convenient PENTAX Auto Picture and 21 scene modes for casual shooting, including new Forest and Stage Lighting options
  • A variety of creative modes, Smart Effect options, or camera settings that assign to the Q’s Quick Dial located on the front of the camera. Smart Effects modes enhance digital photography by applying a series of effects to images to achieve high quality finishing. Brilliant Color, Vintage Color, Warm Fade, Bold Monochrome, and Water Color are just some of the Smart Effects available and may be assigned on the Q’s Quick Dial.
  • In-camera HDR capture mode shoots 3 images of varying exposures, blending them to bring out the details in even the darkest shadows and brightest highlights of extreme contrast shots.
  • High quality motion video with stunning full 1080p HD clarity at 30 frames per second. The Q processes the full HD video using high quality h.264 compression for superior color and detail and offers creative video effects through custom image modes, digital video filters, and interval shooting.
  • A sensor-shift Shake Reduction system with integrated DRII Dust Reduction for blur and dust free images even in low lighting.
  • 5 frames per second continuous shooting mode for any fast action setting.
  • Effortless bokeh control with the Q’s Bokeh Control filter. (Traditionally controlled through a DSLR lens’s aperture, bokeh is the out of focus part of the background that helps to emphasize the subject, drawing the viewer’s eyes to the most important part of the photo.) The Q offers a fine degree of extra control over image bokeh via an in-camera filter operation.
  • Powerful USER modes allow the creative photographer to save a series of favorite camera settings, filters, and custom image modes for instant reuse.
  • Shutter speeds range from 1/2000 to 30 seconds for freezing fast action or capturing long nighttime exposures. Bulb mode adds flexibility for low light photography and motion effects.
  • A built-in popup flash adds the perfect amount of extra light to an image with a high extension to naturally reduce the redeye effect common to compact cameras. The Q’s flash is effective to 23 feet at 200 ISO, and covers a wide angle 28 degree field of view.
  • Compatibility with the latest generation SD, SDHC, and SDXC memory cards for ultra-high capacity storage as well as outstanding image file portability.
Along with the Q, PENTAX introduced the PENTAX 01 Standard Prime kit lens and an optional optical viewfinder. The unifocal standard lens has a focal length equivalent to 47mm in the 35mm format. The lens offers a natural perspective similar to that of the human eye and is ideal as a multipurpose, everyday standard lens for various subjects including landscape and portraiture. With a maximum aperture of F1.9, it performs superbly in dim lighting and may be easily adjusted for bokeh. Incorporating two high grade aspherical optical elements, this lens compensates various aberrations to a minimum .
Featuring the state-of-the-art optics incorporating special optical glass elements and PENTAX exclusive lens coating technology, this lens delivers beautifully defined, high quality images that are sharp and high contrast even at the edges. The AF motor installed in the lens assures smooth, quiet focusing operation. The lens shutter mechanism allows the PENTAX Q’s built-in auto flash to be synchronized to the camera’s top shutter speed of 1/2000 second (or 1/250 second when using an accessory flash unit). This lens is also equipped with a built-in ND (neutral density) filter, which comes in handy when shooting with open aperture at bright locations or when using slower shutter speeds.
The shoe-mounted viewfinder attachment is an optional accessory. This External Viewfinder O-VF1 offers outstanding compositional framing, even in the brightest sunlight where viewing an LCD screen is traditionally a challenge. (Note: The Viewfinder offers framing marks for the Standard lens.)
Available in white or black body models, the PENTAX Q and Standard Prime lens (available in silver) kit will be around $800. Initially, the PENTAX Q system will ship in Japan. Anticipated shipping time to the United States is early Fall 2011.
The optional shoe-mounted viewfinder will be available at the same time for $249.95 USD. Each may be pre-ordered now on www.pentaxwebstore.com The PENTAX 01 Standard Prime kit lens will not be sold separately. More information is available here: www.pentaximaging.com/news
READ MORE - Pentax Q small-sensor mirrorless camera announced and previewed

Pentax announces four additional Q mount lenses

Pentax has announced four additional lenses for its new Q mount. As well as the kit 47mm equivalent F1.9 '01 Standard Prime' lens that will come with the camera, the company has also announced the '02 Standard Zoom' that will offer 28-83mm equivalent focal lengths. Alongside these will be three more affordable, fun lenses. The 03 Fisheye, 04 Toy Lens Wide and 05 Toy Lens Telephoto are designed to make accessible the creativity that interchangeable lenses can bring. The latter three lenses are all manual focus and fixed aperture to keep costs down.

PENTAX ADDS FOUR LENSES TO Q SYSTEM:


Zoom, Fish-Eye, Toy Telephoto Among Selection
GOLDEN, CO. (June 23, 2011)…In addition to the standard lens announced today, PENTAX Imaging Company has announced four accessory Q-mount lenses designed for exclusive use with the PENTAX Q – the world’s smallest, lightest interchangeable lens system camera (ILC).* Each new lens is highly compact and lightweight with an optimized image circle to match the size of the Q’s CMOS image sensor. This new Q-mount lens series offers PENTAX Q users a comprehensive lens selection.

PENTAX 02 Standard Zoom
With a focal length equivalent to a 27.5-83.0mm zoom lens in the 35mm format, this standard zoom lens is ideal for wide angle to medium telephoto range. With four extra-low-dispersion and low-refractive aspherical optical elements, the lens offers exceptional image rendition while effectively reducing chromatic aberration to a minimum over the entire zoom range. The Standard Zoom features a minimum focusing distance of 11.8 inches (30 centimeters) at all focal lengths for close-up photography. Featuring a high-grade finish, this lens incorporates the special optical glass elements and PENTAX exclusive lens coating technology for beautifully defined, high quality images that are sharp and high contrast even to the edges. The AF motor installed in the lens assures smooth, quiet focusing operation. The lens shutter mechanism allows the PENTAX Q’s built-in auto flash to be synchronized to the camera’s top shutter speed of 1/2000 second (or 1/250 second when using an accessory flash unit). This lens is also equipped with a built-in ND (neutral density) filter for open aperture shooting at bright locations or when using slower shutter speeds. The lens price $299.95 USD.
Three additional lenses also are announced. Each offers outstanding value at an affordable price so users may produce a variety of distinctive, dramatic images. Each features manual focus operation, fixed aperture and lightweight lens mount minus a lens shutter unit to reduce size and weight.
PENTAX 03 Fish-Eye
This ultra wide angle lens offers an extra wide 160 degree angle of view allowing photographers to create a fish eye visual effect. The distinctive ultra wide angle characteristics produce unique, eye-catching images with an exaggerated, distorted perspective and a pan-focus effect that captures every element in the image field in sharp focus. The lens price is $129.95.
PENTAX 04 Toy Lens Wide and PENTAX 05 Toy Lens Telephoto
With optics designed specifically to retain various lens aberrations, these lenses produce subdued, nostalgic images like photos taken with a traditional toy camera. The Toy Lens Wide is a unifocal wide angle field of view with a focal length equivalent to 35mm in the 35mm format. The PENTAX 05 Toy Lens Telephoto is a unifocal medium telephoto lens with a focal length equivalent to 100mm in the 35mm format. The PENTAX 04 Toy Lens Wide price is $79.95 and the PENTAX 05 Toy Lens Telephoto is $79.95.
Additional accessories for the PENTAX Q system lenses will include the following (prices and availability to be announced):
PENTAX-100 PL Filter
Attached to the PENTAX 01 Standard Prime or PENTAX02 Standard Zoom, the 40.5mm polarizing filter minimizes reflections on the water or glass surface, which are difficult to remove during digital processing, to assure crisp, high contrast images.
MH-RA 40.5mm
A metallic, dome-shaped lens hood for exclusive use with the PENTAX 01 Standard Prime lens.
PH-SBA 40.5mm Lens
A plastic, square-shaped lens hood for exclusive use with the PENTAX 02 Standard Zoom lens.
Initially, the PENTAX Q system will ship in Japan. Anticipated shipping time to the United States is early Fall 2011.
READ MORE - Pentax announces four additional Q mount lenses

Leica announces Super-Elmar-M 21mm f/3.4 ASPH

Leica has announced the Super-Elmar-M 21mm f/3.4, a wideangle prime for its M-series rangefinder cameras. Weighing in at less than 10 ounces, it's extremely compact at just under 2 inches in length. It has a minimum focus distance of 0.7m, and uses a dual-sided aspheric element and 4 anomalous partial dispersion elements in its optical construction. On the M8 camera it offers an angle of view equivalent to a 28mm lens. It will be available from June 2011 at a price of £2025.
Jump to:
Press Release:

Leica announces Super-Elmar-M 21mm f/3.4 ASPH.

Compact M lens with improved imaging performance sets new standards in wide-angle
photography
21 June 2011, 18.00 GMT: Leica has today added a new, high-performance wide-angle lens to its portfolio of short focal length lenses for Leica M cameras. The Leica Super-Elmar-M 21 mm f/3.4 ASPH. sets new standards in imaging performance and is characterised by its particularly compact size and suitability for a wide range of photographic situations. Whether used for photojournalism, architecture or landscape photography, the Leica Super-Elmar-M 21 mm f/3.4 ASPH. provides photographers with an extremely small, light and versatile wide-angle lens, particularly suitable for travelling.
The performance of the Leica Super-Elmar-M 21 mm f/3.4 ASPH. is reminiscent of one of the all-time favourite classics amongst M lenses, the Leica Super-Angulon-M 21 mm f/3.4. This much-praised lens was an integral part of the Leica M lens portfolio from 1963 to 1980, and made its name and reputation as an ideal tool for available light photography and photojournalism. Even today, the Super-Angulon-M 21mm f/3.4 is extremely popular and one of the most sought-after M lenses amongst connoisseurs of fine optics.
The new Leica Super-Elmar-M 21 mm f/3.4 ASPH. is a worthy successor, with further improvements over the already outstanding performance of its predecessor. The lens reveals its excellent reproduction of detail and superior contrast at maximum aperture. Of particular note are the extremely effective flare characteristics of the Leica Super-Elmar-M 21 mm f/3.4 ASPH., which allow the capture of fascinating 'contre-jour' images with absolute clarity and contrast.
The intricate optical design and construction of the lens are responsible for its outstanding sharpness and imaging qualities. The Leica Super-Elmar-M 21 mm f/3.4 ASPH. is constructed with eight lenses in seven groups. At the same time, the use of one lens element with two aspherical surfaces and four lenses with anomalous partial dispersion ensure that aberrations are reduced to an absolute minimum.
As with all Leica lenses, the Super-Elmar-M 21 mm f/3.4 ASPH. was designed and developed by Leica specialists in Solms, Germany, and represents the perfect combination of optical and technical expertise. Particularly reliable and with enduring value, every Leica lens is manufactured from only the highest quality materials and is assembled with meticulous precision, completely by hand. The combination of cutting-edge technologies and extremely thorough manufacturing processes guarantees consistently excellent quality.
The Leica Super-Elmar-M 21 mm f/3.4 ASPH. is supplied with a high-quality, all-metal lens hood, which should be mounted at all times. The hood not only protects the lens effectively against reduction of contrast by extraneous light, but also against damage and the accumulation of dirt on the front lens element.

Leica Super-Elmar-M 21mm f/3.4 ASPH specifications

Focal length • 21mm
Maximum aperture • F3.4
Minimum aperture • F16
Aperture settings • Click-stops with half-stop detents
Angle of view (diagonal,
horizontal, vertical)
• For 35mm format (24 x 36mm): 91°, 80°, 59°
• For Leica M8 models (18 x 27mm): 74°, 64°, 46° (approx 28mm equiv)
Optical design • 8 elements / 7 groups
• 2 aspherical surfaces
• Position of entrance pupil: 15.6 mm (to the apex of the first lens surface)
Minimum focus • 0.7m (2.3 ft)
Maximum magnification • 0.03x
Distance scales: • Combined metre/feet graduation
Filter thread • 46mm, non-rotating
Dimensions • 43mm length x 53mm diameter (1.7" x 2.1")
• 55mm length including hood (2.2")
Weight • 279g (9.8 oz)
Lens hood • bayonet-type, supplied
Mount • Leica M quick-change bayonet with 6-bit bar-coding
Supplied accessories • Metal lens hood
• Front cap for lens hood
• Rear cap
• Leather case
• Instruction manual
READ MORE - Leica announces Super-Elmar-M 21mm f/3.4 ASPH

Leica launches M9-P professionally targeted rangefinder


Leica has announced the M9-P, a variant of its 18MP full-frame M9 rangefinder camera. The P version gains the sapphire crystal LCD glass previously seen on the Leica M8.2 but now featuring improved anti-reflective coatings for improved visibility in difficult lighting conditions. In order to give an understated appearance, the M9-P omits the traditional Leica red dot and M9 designation from the front of the camera, instead the Leica name is engaved in the metal top-plate in the company's traditional script.
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Press Release:

Leica announces the Leica M9-P: the essence of discretion

Designed particularly for professional photographers, new ultra-discreet version of
the Leica M9 added to Leica rangefinder portfolio
Leica today presents a new version of the world's smallest, full-frame digital system camera: the Leica M9-P. This new model will sit alongside the Leica M9 in the company's rangefinder portfolio, providing an alternative, even more discreet and resilient design that further reinforces the quintessential nature of the M9 – and particularly meets the needs of professional photographers. The new model will be available in a classic silver chrome or subtle black paint finish.
Offering the same technical specifications as the highly successfully Leica M9, the M9-P combines all the benefits of the original: compact size, full-frame, 18 megapixel 24 x 36mm sensor (35mm format), sophisticated image processing and robust construction, with features designed for the professional user or photographers who prefer a pure, even more unobtrusive styling.
The Leica M9-P includes a scratch-resistant, sapphire crystal covering on the LCD screen. This material is so tough that the screen can only be produced using special diamond cutting tools and is one of the world's hardest materials. As a result, the sapphire glass LCD cover is extremely resistant to wear and almost unbreakable, meaning many years of reliable use. In addition, thanks to an anti-reflective coating on both sides of the cover, reviewing images on the display during composition and after capture is further improved, particularly in unfavourable lighting conditions.
The external covering of the body of the M9-P, finished in vulcanite leatherette, features a more coarselytextured finish that ensures a steady grip when shooting, making the M9-P feel particularly safe and secure in the hand.
A further understated feature of the Leica M9-P is its minimalist styling, which is focused on the most essential features. Many professional photographers using Leica cameras have been known to tape over the Leica 'red dot' logo to make their equipment as inconspicuous and discreet as possible. For this reason, the Leica red dot logo and the M9 lettering on the front have been omitted. Instead, the top plate is engraved with the Leica name in classic script form.
Since 1954, the Leica M system has represented an unmistakable, individual kind of photography and a very conscious photographic style. With a Leica M, the photographer becomes a 'part of the action' in the process of capturing challenging, authentic and creative images.
The rangefinder frames precisely the shot the photographer envisages, while allowing a clear view of the scene outside the viewfinder frame. This allows the photographer to predict the decisive moment and capture it discreetly and reliably at the right moment – in all fields of photography, from photojournalism, reportage and 'available light' to the capture of portraits and aesthetic, fine-art images.
Another significant advantage for unobtrusive photography is the almost silent shutter, a feature of both the M9 and M9-P. Moreover, when longer exposure times requiring an extremely steady camera stance are essential, only a slight pressure on the shutter release button in 'soft release' mode is required. Photographers can also select the most appropriate moment for re-cocking the shutter.
The functions of the Leica M are consistently constructed for extreme durability and a long working life. The highest quality materials, intricate manufacturing processes and meticulous manual assembly at Leica's facility in Germany guarantee functional reliability for years to come.
In line with Leica's commitment to system compatibility, almost all Leica M lenses built since 1954 can be used with the M9 and M9-P – an important factor in the enduring value of the M series. The 18 megapixel image sensor, specifically designed and developed for the M9, enables capture of the full 35mm film format without any compromise. All M lenses mounted on the M9 and M9-P therefore offer the same focal length as originally intended, and the enormous potential performance of the extensive M lens portfolio, with focal lengths from 16 to 135mm, can be fully exploited by both cameras.

Pricing and availability in the UK

The Leica M9-P (available in black paint or silver chrome) is scheduled to be available in the UK from June
2011 from authorised Leica dealers including the Leica Store Mayfair: www.leica-storemayfair.co.uk, tel:
020 7629 1351. A full list of authorised UK Leica dealers is available at www.leica-camera.co.uk. The UK
suggested retail price of the Leica M9-P is £5,395 including VAT.

Pricing and availability in the USA

The MSRP for the M9-P will be $7,995.00.
The Leica M9-P comes with a two-year warranty and a one-year Leica UK 'Passport' (complimentary
accidental damage cover), both of which commence from date of purchase. UK customers are also
welcome to visit the Leica Store and Akademie in Mayfair, London, for a complimentary training workshop
on the features of the camera. Technical support by telephone is available via Leica's London-based Client
Care department.


READ MORE - Leica launches M9-P professionally targeted rangefinder

Canon EOS 600D EOS Digital SLR Camera

Product Tour
EOS 600D

With class-leading 18-megapixel resolution, user-friendly design, and the entire EOS family of lenses and accessories at your disposal, the EOS 600D lets nothing stand in the way of your photography.

Features

  • 18-megapixel CMOS sensor
  • Scene Intelligent Auto mode
  • Full-HD EOS Movie
  • On-screen Feature Guide
  • Up to 3.7fps continuous shooting
  • Wide-area 9-point AF
  • 1,040k-dot vari-angle 7.7cm (3.0”) screen
  • Basic+ and Creative Filters
  • Built-in wireless flash control

Your EOS adventure starts here



18 MP APS-C CMOS sensor
An APS-C sized, 18-megapixel CMOS sensor captures images that are packed with detail and clarity. Such high-resolution allows large print sizes and the flexibility to crop pictures for alternative compositions.

ISO 100-6400 sensitivity
An ISO range of 100-6400, extendable to ISO 12,800, enables high-quality hand-held shooting in low-light conditions, without the need for flash.

14-bit image processing
At the heart of the Canon EOS 600D is a 14-bit DIGIC 4 image processor that provides exceptional colour reproduction, smooth tonal gradation and tight control over noise.

Scene Intelligent Auto mode
Scene Intelligent Auto analyzes each scene in detail and picks the right camera settings each and every time, leaving you free to concentrate on what’s important – your photography.

On-screen Feature Guide
The EOS 600D’s on-screen Feature Guide provides descriptions of many of the camera’s functions, as well as advice on how to use them.

Full-HD EOS Movie
Shoot Full-HD video with manual control over frame rate, exposure and sound. Video Snapshot technology allows short clips of 2, 4 or 8 sec to be merged into a single movie file, for footage that looks like it was edited professionally, while Movie Digital Zoom permits 3-10x magnification.

9-point wide-area AF and iFCL metering
Nine AF points, including one central cross-type sensor, spread out across the frame for swift, accurate focusing, even with off-centre subjects. 63-zone iFCL metering ensures accurate exposures time after time.

1,040k-dot vari-angle 7.7cm (3.0”) screen
Shoot from unique angles with a 7.7cm (3.0”) 3:2 Clear View LCD screen, containing 1,040,000 dots for increased clarity.

Basic+
Basic+ technology allows photographers to customize basic auto settings according to lighting conditions or ambience.

Creative Filter Effects
Creative Filter Effects can be applied to Raw and JPEG files post capture, including Toy Camera, Soft Focus, Miniature, Grainy Black & White and Fish Eye simulations.

Built-in wireless flash control
An integrated wireless Speedlite flash controller and Easy Wireless technology allow off-camera TTL flash without the need for extra accessories.

Use with all EF and EF-S lenses
The EOS 600D is supported by the complete system: flashguns, remote releases and over 60 lenses trusted by professional photographers the world over.


READ MORE - Canon EOS 600D EOS Digital SLR Camera

Canon EOS 1100D EOS Digital SLR Camera


Product Tour
EOS 1100D

Advanced, compact and affordable: your first steps into the world of DSLR photography, made simple with Canon EOS 1100D.

Features

  • Superior 12-megapixel image quality
  • On-screen Feature Guide
  • Creative Auto and Basic+
  • HD video capture
  • ISO 100-6400 sensitivity
  • Wide-area 9-point AF system
  • 63-zone iFCL exposure metering
  • 6.8cm (2.7”), 230,000-dot screen
  • Use with all EF and EF-S lenses

Take the first step



12-megapixel resolution
Step up to DSLR image quality with a 12-megapixel APS-C-sized sensor. A 14-bit DIGIC 4 image processor provides up to 3.2fps continuous shooting and images that are packed with detail and tonal range.

Intuitive, on-screen feature guide
The EOS 1100D’s Feature Guide provides descriptions of many of the camera’s functions, as well as advice on how to use them in your own photography.

Easy to use Scene modes and Basic+
Theme-based Scene modes automatically pick the most suitable exposure, focus and drive-mode settings for the subject being photographed, while Creative Auto mode portrays adjustable functions in an easy to understand way. With Canon’s Basic + technology, the look and feel of these basic auto modes can be fine-tuned according to ambience and lighting type.

HD EOS Movie mode
Shoot stunning HD video at 25 or 30fps, with automatic exposure control leaving you free to concentrate on the action. Footage can be edited on your PC or Mac, or played directly on an HD TV via the camera’s HDMI connection.

ISO 100-6400 sensitivity
Low-light shooting without flash is possible thanks to the EOS 1100D’s ISO 100-6400 sensitivity range. The camera’s 14-bit DIGIC 4 processor helps to control noise and maintain image quality.

Wide-area 9-point AF system
The EOS 1100D focuses quickly and accurately on static and moving subjects, thanks to nine AF points, spread out across the frame. A central cross-type AF point is sensitive to both horizontal and vertical lines.

63-zone iFCL exposure metering
Advanced iFCL exposure metering dissects a scene into 63-zones before analyzing it to find the perfect combination of shutter speed, aperture and ISO.

6.8cm (2.7”), 230,000-dot LCD screen
Compose and review images on a large 230,000-dot LCD screen, which also provides access to the camera’s menu system and Quick Control Screen.

Use with all EF and EF-S lenses
The EOS 1100D is supported by the complete range of EOS lenses and accessories: flashguns, remote releases and a system of more than 60 lenses trusted by professional photographers the world over.
READ MORE - Canon EOS 1100D EOS Digital SLR Camera